Fascinated by the discovery of her subjects, Tiffany Bouelle experiments with the invisible links that revolve around our existence and the history of these women through the abstraction of her works. The artistic evolution of the artist is marked by this awareness of the place of women within our society and how they perceive themselves. For Tiffany, it is essential to express these points through her work, playing with the boundaries that art could impose on her.
At the heart of her process, there is first the writing, guardian of words and thoughts, then the drawing which exhausts the subject to reduce it to the essential and finally the line, simple, pure, calligraphed with acrylic or Japanese watercolor. Her practice, meticulous and choreographed, is akin to a reconquest of body and mind, a certain search for harmony.
In a free spirit, Tiffany Bouelle refuses to confine herself to one medium and never ceases to develop her practice and her technique, which she applies to the world of fashion as well as to the one of the decorative arts. Behind this outpouring also hides a bias: that of sharing her art with as many people as possible and connecting it to the world around her. Generous, strong and reassuring, Tiffany's work resonates like double-rhythm music. Expressing herself through different mediums with both painting, watercolor, but also textiles and sculpture, the artist allows visitors to dive into the heart of his creative process, of which the woman is his center.
Tiffany's works combine childhood memories inherited from these Japanese roots, nature and women. Indeed, the body and the soul are the two main subjects of the practice of the artist dialoguing between the relationship that women have with their bodies at different times in their lives.
